Shiying Wang

45 Downstairs theatre space below Flinders street level is chosen as the venue for the Euripides’ tragedy Hekabe, because of its unique existing features with aging aesthetics generating a sense of desolation which is suitable for the plot of Hekabe. The simplicity and undefined stage of 45 Downstairs gives opportunity to adapt Hekabe transcending traditional theatre ideas.

The design concept for Hekabe in 45 Downstairs acknowledges the original setting during the Trojan war depicting the themes of war, women, power, desires, revenge, betrayal, loss and grief with a figurative approach and contemporary reinterpretation. By merging the mythical and reality, this production is aiming to present the ‘darkness’ and the story of the powerless who struggle in the dark to the modern audiences.

The central character Hekabe can be seen as an archetype of anonymous women who suffer from war, this play is to show her strength fighting against injustice to protect dignity and loved ones under desperate situations. This production is to evoke audiences’ sympathy for Hekabe and those innocent people who suffer because of the war, making audiences aware of the cruelty of war and the preciousness of peace. The costume and props were designed to make performers ‘faceless‘ in order to emphasize the idea of anonymity.

As this venue is a small flexible theatre, the small audience capacity brings a sense of privilege and quality viewing experience. Audiences can choose their preferred spot of viewing; they have the option of being on the same level with the actors or slightly above. The blurred boundary between stage and auditorium allows the audience to have a close proximity with the performers. Actors can easily interact with the audience during the production, offering more emotional appeals and more immersive experience.